Nor was there biting satire and the over the top Carnival atmosphere that has defined the show over the years.
Instead, patrons at the 53rd instalment of the opening of the Kalypso Revue at the Arima Velodrome on Friday night were served a brand of conspicuously tempered offerings, which, though topical and entertaining, did not work them into a frenzy.
In fact, allusions to the political ‘misdeeds,’ of past governments, particularly the former People’s Partnership, were masked by veiled references to these scenarios or, in some cases, none at all.
For instance, Skatie (Carlos James), one of the tent’s political standard bearers, dispensed with his usual stinging style in favour of an almost demure piece titled, “Let Us Turn The Tide”, which called on all citizens – children, parents and leaders – to each do their part in ridding Trinidad and Tobago of its many ills.
He referred to the country’s attributes – its status as “a melting pot for everybody” and one where the “world marvels to see how we live together as one,” saying the time had come to “put on a positive agenda” amidst all of the negativity.
It earned the reigning political commentary monarch an encore.
Even national calypso monarch Devon Seale seemed to tone down a bit with “Cyah Buy Class”, a reprimand to people with money but no decency. “Money is temporary but class is permanent,” a dapper-looking Seale sang in the tune, which also earned him an encore.
Another political hard-hitter, Alana Sinette, who now goes by the sobriquet Lady Watchman, opted for “No White Collar Crimes”, a socio-political commentary about the consistent failure of the Government and security agencies to address the problem of white collar crime. Sinette, whose piece featured a brief theatrical presentation, complained there was no need for the Financial Intelligence Unit (FIU) and the Fraud Squad because both agencies appeared powerless in dealing with white collar crime.
As if in direct response to the effects of the economic downturn, escalating crime and the other social ills plaguing the country, calypsonians focussed heavily on social commentaries and nation-building offerings.
There also was a sprinkling of smutty selections, a tribute to the late Makandal Daaga and a song which celebrated womanhood.
Some patrons, commenting on the paucity of hard-hitting political commentary, suggested the People’s National Movement (PNM) Government, which assumed power in September 2015, was perhaps being given an extended grace period by the calypsonians.
Maze (Terrence Rivas) got the ball rolling with “Cyah Mash Up T&T”, which dealt with crime and race relations. He was followed by Teneille Cooper, who performed an upbeat song, “Moving On”, in tribute to her late father.
“Island Tabanca”, a well-crafted ditty about Young Poser’s (Vivian Lockhart’s) yearning for all things TT, including Carnival, crab and dumplings and fireworks on Independence night, went down well with the crowd, as did Original Tempo’s (Lewis Rowans) “Proud Trinbagonian” and Wendell Goodridge’s “Who To Blame”, a song about moral decay and the fact that many citizens were losing confidence in the system.
Sexy Suzie (Natasha Nurse), dressed in African wear, kept social issues on the front burner with “Negative Progress” while Ninja (Keston Neptune) called on people of African descent to “Take Yuh Place” in the society through positive endeavours as opposed to crime. Neptune, who forgot some of his lines, still received an encore.
Other calypsonians performing in the first segment of the show included Marlon Edwards with “Energy For So”, Malaika Ballantyne with “Calypso and Country” and “It Eh Right”, by Saint Nick (Shashi Gosine).
Former national calypso monarch Eric “Pink Panther” Taylor, too, deviated from his standard political fare. He chose to sing a tune called “Remember”, urging those in the calypso, pan and soca artforms to reflect on the contribution of their predecessors, whom, he said, paved the way for the success they enjoy today.
Mimicking the stage presentation of late calypsonian, Kitchener (Aldwyn Roberts), Taylor then sang one off the Grandmaster’s favourites, “12 Bar Joan”, to the delight of the audience.
Chalkdust (Dr Hollis Liverpool) had the crowd in stitches with “Arithmatic”, an hilarious, yet telling song about child marriage, and “Speaking Frankly”, his take on the crime situation.
Making up the cast were Revue manager Sugar Aloes (Michael Osuna); Baron (Timothy Watkins); Bally (Errol Ballantyne) and Antiguan calypsonian Swallow (Rupert Philo), who ended the show.