Anthony siblings smash records

Swimming in a time trial, Zoe stopped the clock at 32.34 seconds to eclipse the 2004 record of Kimberlee John Williams of 32.50. Her younger brother Zachary broke the 8 & under record on Friday in the 50m butterfly, with both Anthonys breaking their first National Record at this invitational.

Zoe also went on to win the 9-10 200 free in 2:25.62. Zachary, also of Marlins, claimed the 8 & under 50 m butterfly in 34.08 seconds, erasing Josiah Changar’s record of 34.15 in the event. He went on to win gold in the 100m freestyle in 1:11.46 seconds after previously clinching the 50m backstroke.

Zarek Wilson of Blue Dolphins continued his supreme run of form by establishing a new mark in the 9-10 male 200 m freestyle with a time of 2:16.40. Wilson erased his old time of 2:20.27 which he previously set in May.

The Short-Course record holder Nikoli Blackman settled for second place but also went under the old record (2:18.97). Both athletes achieved the 11-12 CARIFTA Qualifying time (CQT) while Wilson also qualified for CCCAN with the swim.

Jada Chatoor of Marlins was the only double gold medallist of the morning session. Chatoor clocked 2:14.41 seconds and Jahmia Harley of Tidal Wave in 2:16.12 seconds as both achieved 13-14 200m freestyle CQT and CCAQT, after they won gold and silver respectively in the event.

Chatoor went on to win the 13-14 800m freestyle and qualified for both regional meets in 9:31.59.

Her brother Graham won the 15- 17 male race in 9:10.30.

Junior swimmers were in prime record breaking form as well on Friday.

Wilson established new marks, starting the record breaking process in the 9-10 male 100m freestyle where he won gold in 1:02.11 seconds, ahead of Nikoli Blackman of Marlins (1:03.03), and Josiah Changar of Sea Hawks (1:04.06). Wilson erased his own record of 1:02.80, while both he and Blackman achieved an 11-12 CQT. Changar turned the tables on the duo by winning the 50m butterfly in 30.92 seconds, ahead of Wilson (31.07) and Blackman (31.63). Changar and Wilson also achieved CQTs in the 50m Butterfly.

Madara Edwards of Sea Hawks had a double gold medal performance after claiming the 8 & under female 100m freestyle in 1:24.25 seconds and the 50m butterfly in (38.28). The 9 -10 female, Zoe Anthony, also had similar success winning both the 100m freestyle in 1:05.95 and 50m Butterfly in 32.85. Savannah Chee Wah of Marlins took silver in the 100m freestyle in a time of 1:06.66.

Zaneta Alvaranaga of Y Speedos Jamaica joined the list of double gold medallists as she won the 11-12 female 100m freestyle in a time of 1:02.72 and the 50m fly in 30.25. Regan Allen was 2nd to Alvaranga in the 50m Butterfly in 30.96.

Jenabi Benoit of Grenfins Grenada joined the fray with gold in the 11-12 male 100m freestyle event in 58.11 and the 50m butterfly in 27.65. In the latter event, Malik Nelson of Atlantis achieved a 13-14 CQT of 28.25 after placing second.

Luke Gillette of Marlins (2:36.49) and Dario Omiss of Blue Dolphins (2:35.30) won the male 200m breaststroke in the 13 -14 and 15 & over categories respectively.

Both athletes achieved the CQT and CCAQT for the 15-17 age group.

Tidal Wave’s William Reyes, who was 2nd in the 13 -14 race (2:41.63) also achieved the 15-17 QT. Thompson and Obadyah Ince of Areios both achieved 15-17

Marlins, Royhil Seals in Open Male final

Royhil Seals defeated Barbados comfortably in the Under 16 female category by a margin of 17-3 and then had an internal battle in the Under 14 category as Royhil ‘Garnet’ overcame Royhil ‘Emerald’, trashing them 21-3. Marlins Black halted Royal Seals ‘Garnet’ in the Under 14 coed category, defeating them 14-11.

In the Open Male event, Royhil took revenge over their rivals from Marlins as they fought a hard battle and got the better of them 12-11 to end the day’s play. The duo will play again today in what is expected to be an intriguing final to decide who rules the Open category.

Today’s games are scheduled to begin at 12 noon and the awards ceremony set at 6pm, in the Aquatic Centre , Couva. Admission for adults cost $25 and children cost $15.

Today’s Game Schedule: U16 Female- Barbados vs Royhil Seals U16 Male- Barbados vs Royhil Seals U14 Coed- Barbados vs Royhil Seals ‘Coral’ U14 Coed Final- Royhil Seals ‘Amber’ vs Marlins ‘Gold’ Open Male Fnal- Marlins vs Royhil Seals

Leaders Central FC held to 1-1 draw

Midfielder Sean De Silva, who was called to a 28-member Trinidad and Tobago training squad by coach Tom Saintfiet last week, put the two-time champs ahead in the sixth minute but Jamaican utility player Keithy Simpson equalis ed for Club Sando, in the 67th.

W Connection reduced the gap between themselves and Central to four points with a comfortable 3-1 win over Police, in the latter game at Couva.

In the space of 13 second half minutes, Connection got their goals, through Dimitrie Apai (53rd), national Under-20 captain Jabari Mitchell (60th) and Shackiel Henry (66th). Kareem Freitas got the consolation item for the lawmen, in the 78th.

Central are atop the standings with 29 points, followed by Connection (25 points), San Juan Jabloteh (19), Ma Pau Stars and Club Sando (14 each).

Today will feature a trio of matches – Morvant Caledonia United will battle St Ann’s Rangers at the Manny Ramjohn Stadium in Marabella from 3.30 pm while, at the Ato Boldon Stadium, Point Fortin Civic will face Stars (4 pm) and Defence Force will oppose Jabloteh (6 pm).

TTCB to announce findings in sex abuse probe

The TTCB Executive had scheduled a meeting yesterday at the National Cricket Centre (NCC), Couva, to discuss the findings by a committee setup to investigate the matter which became public a couple weeks ago. The committee comprised TTCB president Azim Bassarath and 2nd vice-president Lalman Kowlessar.

“We had the meeting, we will hold a press conference in a couple days to let the public know what is happening,” Ragoonath stated.

The TTCB has been accused of not investigating the matter urgently by members of its South Zone who have even gone so far as to call on the Executive to resign. They allege that the TTCB received the report five months ago. But a defiant Bassarath has hit back immediately, challenging that statement while stating that the Board only got the report on the matter in October. Newsday has spoken to the manager of the national team at the time of the incident who refused to confirm or deny he received a complaint from the national player or if he submitted any report on the alleged incident to the TTCB.

‘Tiger’ feasts on TT bowling

The 42-year-old was unfurled a superb unbeaten 141, an innings which allowed the two-time reigning champions to pile up 357 for six in their first innings and dominate the second day of the Regional Four-Day contest at the National Stadium here.

He received support from captain Leon Johnson who made 69 and Barbadian all-rounder Raymon Reifer who chipped in with 38.

Leg-spinner Imran Khan was Red Force’s best bowler with two for 70.

Heading into day three, Jaguars lead by 195 runs, leaving Red Force with a complicated task of salvaging anything positive from the game.

Resuming the day on nine without loss in reply to Red Force’s 162, Jaguars lost both openers cheaply to slip to 45 for two.

Rajendra Chandrika edged the second ball of the morning from pacer Marlon Richards behind to fall for 12 with the score on 13 before Shimron Hetmyer, who stroked five fours and a six in gathering a breezy 31 off 29 balls, pulled off-spinner Jon-Russ Jagessar low to Yannic Cariah at mid-wicket.

Three key partnerships – two involving Chanderpaul – then hauled Jaguars back into the contest.

Johnson first put on 49 for the third wicket with fellow lefthander Vishaul Singh who made 26, before combining with Chanderpaul to add a further 141 for the fourth.

The knock was Johnson’s second half-century of the season and it came from 190 balls and included eight fours and two sixes while Chanderpaul passed three figures for the second straight game.

All told, Chanderpaul has faced 220 deliveries and counted 14 fours and a six.

He was unbeaten on 29 at lunch with Jaguars on 136 for three and had worked his way to 83 not out at the second interval with the hosts on 243 for five.

Chanderpaul reached his landmark about 45 minutes after the resumption with a couple to backward square off left-arm spinner Khary Pierre.

Red Force’s best period came shortly before tea when they removed Johnson and Chris Barnwell (3) in the space of 22 balls.

But Chanderpaul dashed any hopes of major further success by anchoring an 89-run, sixth wicket partnership with Reifer, to add to Red Force’s deepening woes.

Bachata beat

Rico Suave Dance Associates is a testament this as dance instructors showcased their sensual, fiery moves at the studio’s Latin-Christmas themed “Party”, held last weekend, in San Fernando.

Director of the dance group, Ricardo Spencer, said the event was inspired by a trip he made to the Miami Salsa Competition, where he met Bachata dancing instructors Alex Morel and Desiree Godsell. Bachata is a genre of Latin American music that originated in the Dominican Republic in the first half of the 20th century with European, Indigenous and African musical elements. Spencer, a dancer for more than 27 years and who has performed locally and internationally said, “I saw their workshop and found that it was out of this world. I asked them if they would come and teach instructors in Trinidad and they agreed.” Morel and Godsell offer a teacher certification course in Bachata.

According to Spencer, it took approximately three months to formalise the first Latin inspired course.

While instructors had their workshop on December 3 to 5, on December 2, there was also a workshop for beginners and a masters class the following day. Forty and 30 persons participated respectively in the latter classes.

“It was amazing to see 27 instructors amused and intrigued for four hours of training. The training was very intense and continued on the following day,” said Spencer.

Instructors were given both practical and theoretical teaching skills of first to fourth generation styles of Bachata, showing the evolution of the dance. They were given an examination on the final day. Spencer is hoping that the training course would inspire instructors to motivate citizens to come out and learn to dance.

The dance intrigued Spencer and he learned about its origin and how intricate it is.

“I was doing more of the fourth generation style, where the legs are in a more closed position.

Their steps (Morel and Godsell) had a more sensual feel and look in the dance. It was really awesome what they had to offer,” said Spencer.

At ‘Party’ which was held at Rico Dance Associates’ studio on Prince Albert and Rushworth Streets, San Fernando, dancers, including, Morel and Godsell, showcased their skills. Other dances were performed, such as a belly dance by Spencer’s wife, Soleil, and the gazumba (of Brazilian origin) by Nimla Seebaran and Shawn Garcia. Sixth Form students of Naparima College and St Joseph’s Convent, San Fernando also hit the dance floor.

“The principals of both Naparima and St Joseph’s Convent came to me with a plan to teach students dance during their lunch break for half hour. It was 220 children, 120 from Convent and 100 from Naps. Because it was just half hour, students were literally grabbing their lunch and coming the class. We decided to do the session in the evening, where it boiled down to maybe about 70 of them.

We did a flash mob there with the dance routine and mixed it with line dancing and disco dancing,” said Spencer.

Latin dancing in Trinidad is active but Spencer wants to see more of it showcased.

“It is there. A lot of schools do parties. We carried Desiree (Godsell) to a party in Point For- t i n .

A Christmas party and she was amazed that we were dancing salsa to reggae. If we (instructors) can get about ten communities and teach dance and carry on a competition, it would revive it. Dancing brings out fun and laughter for everyone.”

Speaking in parables

“The Bible is used as a strategy against the LG BTI community,” the artist says as we chat over dinner in Belfast where the show was staged. “I am reacting to that strategy and acknowledging that for those of us who speak this patois there is an intimacy that we share when we communicate in it.” The artist continues, “It’s private, it is familial, which gives it a certain power and place of privilege.

To me that seems an appropriate strategy for an intimate topic such as desire.” This polyvalence is fitting for the subject matter, especially in context of Caribbean societies that have driven questions of sexuality underground into the realm of subterfuge and shadow play.

D?sert’s piece reflects a precarious tight-rope act. On the one hand it is festive, on the other hand it stands in awe – maybe fear – of desire. The use of “swine” in the title connotes various forms of kink, in addition to its figurative meaning.

“As we know, the figure of the pig is also someone who engages in something excessive,” D?sert says. “There is also a certain obstinacy that comes with being a pig. When someone is called a pig it infers a variety of things.” If the message is lost, then this demonstrates how sacred texts are inherently malleable. They therefore serve as poor justifications for bigotry.

It Neque mittatis margaritas Vestras ante porcos (Do Not Cast Pearls Before Swine) is a serious warning from an artist who knows all too well the price of intolerance.

As a child, D?sert’s family fled his native Haiti when it was under the grip of the first Duvalier regime.

“We were thrown into exile,” D?sert says. “We lived in the Brazilian Embassy for a number of months until the President’s birthday when we were able to escape for the airport, making our way from Haiti to New York. One more day, all three of us would have been murdered.” Love, Anger, Madness D?sert continues, “My mother is still very reticent to talk about it.

This is from what I pieced together from my father. Their marriage would eventually suffer and fall apart by the time we were living in the States. Even when my mom got divorced and she returned she was immediately arrested and stopped at an airport because we were still on a blacklist. Relatives had their businesses compromised. We had to abandon all our properties leaving me no physical legacy.” He adds, “but the cultural legacy cannot be erased.” D?sert has since lived in New York, Paris and now Berlin. He has earned degrees at Cooper Union and Columbia University and has lectured and been invited as a critic at Princeton, Yale, Humboldt.

His work is impossible to pin down, including billboards, actions, paintings, site-specific sculptures, video and objects. A simple video of him standing at Piazza San Marco, Venice, during a flood tide takes on the air of something weighty and profound: commenting on history and fate.

In 2013’s Amour Colere Folie (Love Anger Madness), D?sert pays homage to the Haitian author Marie Chauvet whose writing sent her into exile in New York until her death. Her work was later clandestinely published in 2002 re-establishing her once censored voice against the wishes of her family feared reprisals.

D?sert pieces are united by this concern with the clandestine, not as wilful obscurity, but as necessity.

This is so whether he is working with burquas and flags, the exposed male body and lederhosen, or elaborately presented testimonials of sex workers. He hides things in plain sight, where they will be safest.

Or most dangerous, such as in La Main (The Hand) where that body part is cast in white chocolate, in a reference to the disturbing racist elements of Belgium’s history, a history which is not as well known as the country’s fine pralines.

“In my work in general I try not to impose my own personal point of view,” D?sert says. “I would imagine one could say this about most of the practitioners in this exhibit – we are not dedicated explicitly to a queer practice. It is implicitly there, they are one of many elements in our works.” A tall, striking punk figure who combines dapper waistcoats with kilts, D?sert adds, “I am very conscious of the male drag that I wear.

Yet, that’s only one of about 50 layers of who I am. I don’t want to dis-empower the viewer to bring their own experiences in experiencing work. It’s poetic if one does it correctly.”

Los Parranderos Picante is hot!

They created history to become the only school to score a hattrick in the National Parang Association’s Junior Parang Competition (Secondary Schools), the them of which was ‘Viva De Parranda’.

Moruga Secondary, once known as Moruga Composite, earned 171 points with their rendition of ‘La Dedicacion’ and ‘Amigos’ for the competition held on November 20 at Bishop Anstey/Trinity College East Auditorium in Trincity.

Barataria South Secondary placed second with 168 points and Holy Faith Convent (Penal), scoring 166 points, was third.

With three championships, and longstanding tradition in parang, Moruga Secondary is now a full-fledged band, known as Los Parranderos Picante, teacher Cecelia Joseph explained. “They now go out performing for shows throughout the country,” Joseph said, adding that this year the students were eager to learn their new songs and get into the dance routine having won in 2015.

“They were more than ready for this year’s competition,” Joseph said. The students were far from complacent, as they worked harder than last year to coordinate their choreography with singing.

When asked about the cost of production for 2016, Cecelia smiled saying she was happy that parents and local business-owners co-operated with the school.

“We have students coming from the depressed area, where many just survive on little. So we had to write to all the business-owners and we were happy that many responded favourably to this venture,” she said.

She noted parents who are seamstresses and tailors assisted in getting the costumes ready this year as they did in the previous years. She said although Spanish is a subject in the school, Moruga Secondary just has one teacher and this was also a challenge to get the students to understand what they were saying when they would sing these songs.

She thanked past students and tutor Aaron Alexander who visited the school daily to conduct classes with the 18 students of the parang band.

Alexander spent much of his time teaching the proper pronunciation for the songs.

Apart from tutoring, he also accompanied the band on stage playing the mandolin.

Other teachers who assisted in the training of this winning school were Anthony Gonzales, Billion Blackman and Afeisha Brereton.

The lead singers of the school were Vickiece Harrington and Nicholas Lucos.

Los Parranderos Picante were guest performers for the national parang finals in Arima on December 10.

Parang champs Moruga Secondary is now known as Los Parranderos Picante.

Speaking out against GBV

The panelists – Amanda McIntyre, co-director of feminist organisation WOMANTRA, Terry-Ann Roy, board member of I Am One TnT, and Jade Trim, a student of the Institute of Gender and Development Studies (IGDS) at UWI, St. Augustine – spoke of the history of misogyny (the dislike of, contempt for, or ingrained prejudice against women) in a Caribbean context as well as how the law defends or turns a blind eye to victims of domestic violence, sexual assault, and street harassment. The event also happened to take place a mere two days following the discovery of Shannon Ban_ eld’s body in a store’s warehouse on Charlotte Street, Port of Spain – yet another victim who perished at the hands of GBV.

The #LifeInLeggings movement was started by Barbadians Ronelle King and Allyson Benn, as a means for Barbadian women to share experiences and accounts of GBV. While the movement’s roots are Bajan, the hashtag soon gained regional popularity – a testament to the startling number of GBV infractions women face in both subtle and life-changing ways in the Caribbean. The experiences shared over social media have run the gamut of indirect associations to misogyny to truly horrendous and brave accounts of sexual assault. Most of the experiences shared involve men as the main perpetrators of GBV.

This year alone, scores of women in TT have been reported missing or found murdered. Archaic notions and opinions of women exposing themselves to the opportunistic male gaze have been rampant among men and women alike – age-old victim blaming that claims a woman’s safety is her responsibility. This was the major pivot of former Port-of-Spain mayor Raymond Tim Kee’s argument following the slaying of Japanese national Asami Nagakiya after this year’s Carnival festivities. The uprising such comments caused forced him out of his mayoral office, but not without constant and ignorant backlash from pockets of our citizenry who decried the protest as a “foreign affair”.

Yet organisers of the well-attended protest that brought about Tim Kee’s mayoral demise continue to reiterate that the action was not merely about a Japanese national but our culture of respectability politics. Respectability politics refers to the attempts of marginalised groups (such a racial minorities, gender minorities, sexual minorities) to police their own members and show their social values as being continuous, and compatible, with mainstream values rather than challenging the oppressive status quo. Men and women engage in such detractive politics that can water down the impact of rightful advocacy in these instances. By perpetuating ignorant notions that women are responsible for their own safety through the policing of their attire, how many men they take to bed, and the types of social activities they engage in, we continue to ignore the fact that the men who perpetrate such violence are the only ones at fault and rarely, if ever, held to similar standards.

The proof is also overwhelmingly in the favour of the danger all women face – not simply women whose characters may be called into repute based on unfair social notions of respectability. In October 2016, the body of Vanessa “Buffy” Ackie was found in a precipice; a known sex worker, public opinion surrounding Vanessa’s death slanted to the “she look fuh dat” mentality. However, a month later, Tobagonian nurse and mother, Crystal Tobias-Busby, was stabbed and killed at the hands of a male relative at her home – two seemingly different women, with quite dissimilar life experiences, choices, and accolades, who met similar fates at the hands of men.

In May, Patricia Fletcher-Thomas was killed at her Enterprise, Chaguanas home one day after her 26th birthday. Reports indicate that a male relative at Patricia’s funeral admonished, “Watch the kinda man allyuh picking up.” Except, the responsibility of not murdering must surely fall on the murderer, not the murdered! Sadly, these views are not only widespread but upheld by misogynistic cultures that in_ ltrate all levels of society – from vulnerable youth, to the elderly, to babies who are raped and killed – there is no girl or woman who is safe or can be expected to uphold her own safety in a society that openly declares her the “second sex” and subservient to men.

Opening up the panel discussion on Saturday 10 was Terry- Ann Roy, also a second year law student at UWI, St. Augustine.

Her opening lines were narrative stories of women who were murdered at the hands of jilted lovers or husbands on our shores, including a moving narrative of the _ nal moments of Shannon Ban_ eld’s life. She tells WMN, “The most important part of the #LifeInLeggings movement is the fact that it has empowered many women and girls to speak up about GBV.

Also, with that empowerment comes solidarity amongst us women.” She explains the hashtag has uncovered what many women have known and experienced for years and given these experiences their own space. “I think this sort of ‘_ ght back’ was long overdue.” UWI Undergraduate and Gender Studies student, Jade Trim linked the histories of the Caribbean – colonialism, slavery, indentureship, and civil rights movements – to the misogyny and misogynoir (misogyny against Black women) that plague our region and country today and argued that to understand the history of GBV in our speci_ c context, it is important to trace its roots. She also commented that in most historical accounts, there are hardly women’s voices yet simple research shows that women have been at the fore of freedom _ ghts and historical shaping dating back centuries. Such subtle omissions cannot go unchecked and further perpetuate unfounded myths that women are docile, unable to act autonomously, and dependent on male protection.

In her academic paper “Unmasking Masculinity and Deconstructing Patriarchy”, Patricia Mohammed posits that our personal identities are a conglomeration of the experiences that have shaped our lives. She explains the feminist theory of everevolving identities that must be reconciled with lived experiences – separate entities that are intrinsically linked. She writes, “Our material bodies … our race or ethnic group, the colour of our skin and the class we typify within a particular culture constantly inform and mediate our social experiences and in_ uence how we express our masculinity and femininity, as well as the expectations by others of our masculinity and femininity.” There are schools of thought that do not limit “experiences” to the personal happenstances of our lives but rather collective and historical experiences that may be shared by ethnic groups, genders, sexual minorities, and social factions. These collective experiences may result in lasting and ongoing trauma, as is the case with the Atlantic Slave Trade and even the divide and conquer mentality of colonialists who shaped stringent race divides that can be traced to Caribbean societies to this day.

We cannot ignore how our very unique histories and oppressions as Caribbean peoples – and Trinbagonians – have shaped the misogyny and femme hatred experienced to this day; to ignore these factors would be a disservice to the Caribbean women’s movement and even to understanding the necessity – and _ ery popularity – of the #LifeInLeggings movement.

Trinbagonian activist, co-founder and co-director of BGLAD (Barbados Gays, Lesbians, and All Sexuals Against Discrimination), Ro-Ann Mohammed praises the movement.

“It exudes feminine prowess and organisation,” she describes the power behind the hashtag, “and has created a space that didn’t really exist before.” She believes in our modern society where “technology is our oxygen”, social media platforms have far reach and can exact change through collective voices. She also notes the hashtag has not only been used by women but also members of the LGBTQI community to express their own experiences of misogyny and violence. “[Until now], there hasn’t been a space for Caribbean people to go online and say, ‘this is my truth, this is the discrimination I have faced based on gender discrimination and misogyny. This [movement] is a space for solidarity and it’s a catharsis and that space is powerful.” Yet, women who have found a safe space in the annals of #LifeInLeggings posts are still disproportionately exposed to the threat of violence and murder at the hands of men in everyday reality. The complaints of domestic abuse violations and reports falling on deaf ears at the institutional level are countless.

In January, mother of three, Hassina Khan, was found in a shallow grave in California, Couva. Relatives at the gravesite were overcome with grief and voiced their anguish that many of Hassina’s reports of domestic abuse to law enforcement went unanswered and unchecked. For the families of women who have been failed by our systems and institutions, what is their recourse? Retrospect leaves an entangled web of emotions that are not easily reconcilable – the knowledge cannot make up for the loss, the once-deaf ears cannot now unhear, and families are forever changed.

The #LifeInLeggings movement has also seen backlash with many men and some women arguing that crime and violence are not a gendered debate – yet of the countless names of women who have been murdered on our shores in 2016 alone, many were not involved in criminal activities, were not living lives on the edge that would predispose them to the threat of violence and death. “What was she wearing, why she stay with him, she shouldn’t have been out of her house at that late an hour.” The problem with such rhetoric is it completely bypasses the root of the problem: the engrained and continuous spread of hatred and inequality of women and femininity. One cannot hope to speak of or understand GBV without identifying the perpetuation of gender inequality and the double standards that continue to this day regarding women and their autonomy (or denied autonomy) of their bodies, actions, and spaces.

This is the _ rst part in a two-part series on the #LifeInLeggings movement and GBV in the Caribbean.

Vaginal Discharge:A Guide

But what’s the big deal? Every person with a vagina produces it, and every person with a vagina has wondered: Is mine normal? Also: What the hell is this stuff??

Discharge—which btw is completely normal— does not need to be a mystery. In fact, learning how to “read” it can provide useful information!

What is discharge?

First, the basics. Discharge is a substance produced by the female reproductive system, comprised mainly of water, micro-organisms, and vaginal cells. Its production is “activated” by the hormone estrogen, which triggers the vaginal walls and glands of the cervix and uterus to shed old cells and flush them out. The result is that sticky substance we all know and love…in our underwear.

“Normal” vaginal discharge varies from woman to woman. Depending on where you are in your menstrual cycle—and your body’s own unique biological magic—it can range from clear to milky white, from thin and viscous to tacky and amazingly stretchy.

Note that it’s the vagina’s internal parts that do the excreting. Neither the labia nor any of the external portions of the vulva contain any glands, and no glands means no discharge.

What is the purpose of discharge?

If you haven’t heard, your vagina is a self-cleaning oven! We have discharge to thank for that. “The purpose of discharge is to keep the vagina clean,” explains Vanessa Cullins, the vice president for external medical affairs at Planned Parenthood Federation of America.

I like to think of discharge like an artisanal cleansing product, made for and by your vagina.

When do women first start producing discharge?

We start to produce discharge during puberty. “That’s when your ovaries wake up,” says Cullins, and the body begins to make estrogen, which is the key hormone in stimulating discharge. (Puberty is also, of course, when females start to ovulate and menstruate.)

“The vagina has superficial layers that are highly estrogen-sensitive,” explains Cheryl Iglesia, an OBGYN and professor at Georgetown University Medical School, and the smallest spike or dip in the body’s estrogen level can make the layers lining the vaginal canal start shedding—triggering discharge.

What impacts the color and texture of discharge?

You’ve probably noticed your discharge morphs throughout the month. “It’s going to change throughout your cycle,” says Cullins. “Once you get a handle on your pattern, that should give you a certain degree of confidence regarding what’s normal for you—and trigger when it might make sense for you to be evaluated by a women’s health care provider.”

Environmental factors such as stress or dehydration can also lead to a change in the amount or consistency of vaginal discharge produced, explains Cullins. Essentially, any change in the body’s water content can lead to a change in discharge.

Notably, your birth control might impact what your discharge looks like, too, since hormonal birth control stops the body from having a “natural” menstrual cycle. The hormones in oral birth control pills tend to make vaginal discharge thicker and stickier—and more likely to block any sperm trying to work their way up the vaginal canal.

Should normal discharge smell?

Not really. “It might have a mild smell, but it shouldn’t be offensive,” says Cullins. “You’d have to put it really close to your nose to even find it somewhat offensive.”

How do you know if your discharge is unhealthy?

Here’s what your discharge should not look and/or smell like:

Thick and clumpy (that might be a sign of a yeast infection), stinky and fishy with a yellow or green hue (that could signal a bacterial infection such as trichomoniasis or gonorrhea), or watery white, gray, or yellow (that could signal bacterial vaginosis).

Brown or bloody discharge might also fall outside the range of normal, signaling irregular periods and in rare cases endometrial or cervical cancer.

If your discharge does not meet one of these descriptions, you’re probably okay. As long as you’re not experiencing “itching, pain, burning, a foul odor, or a great change in color such as brown, deep yellow, or green,” says Cullins, “don’t worry about your discharge.” That said, if you notice a pronounced change in your discharge, you should consult a medical professional.

Why does unhealthy discharge look so gnarly?

In most cases, abnormal discharge is a

often accompanied by not-good bacteria in the vagina. This bacteria is to blame for transforming your discharge into something ominous-looking. symptom of an infection—and infections are

But other things can cause funky discharge, too. Like, say, shoving bags of herbs up your poor, hard-working vagina in the name of “detoxing.” ICYMI, your vagina already knows how to “detox” and clean itself (through all that lovely discharge) and does not need any outside help—particularly from foreign bodies shoved up it and left to sit and interrupt its normal, healthy, acidic environment.

Pregnancy changes things

Pregnancy might change your discharge too. (Again, see: estrogen.) But some changes in discharge post-delivery might not be actual discharge. After childbirth, “the vagina gets stretchy,” says Iglesia. And certain internal organs, such as your bladder, uretha, vagina, and uterus, “come down, and there might be a change in discharge because of a pelvic organ prolapse.”

There can also be, as Iglesia puts it, a change in the vaginal ecosystem—namely, its levels of healthy bacteria and acidity—resulting from the process of, y’know, pushing a human being out through your vaginal canal.

What you think might be discharge might actually be pee

If you’ve had a baby and you now have a lot more discharge than you did before, well—you might just be seeing pee. (Again, you can thank that human you pushed out, if you delivered vaginally.)

“Some women can’t retain a tampon” after childbirth, says Iglesia, “and might have issues with urinary incontinence.” If you notice unusual wetness, “that may be urine, not discharge, and you should get that checked out.”

Menopause changes things, too

During menopause, a woman becomes “like you were before puberty,” explains Iglesia. “You’re in a very low estrogenic state. And once you have low estrogen, the cells in your innermost vaginal lining thin out, some of that good bacteria die—and now you have a lack of discharge because of that whole microbiome change.”

What to do? “You need a probiotic for the vagina,” says Iglesia, to get those good bacteria revved back up and to get things feeling, well, moist again. She also recommends local estrogen in the form of a tablet, ring, or cream. These FDA-approved products recreate the process the body used to create on its own moisture—and most importantly, Iglesia notes, “they don’t cause breast cancer, because they absorb locally and your physician can moderate your dosage to avoid other side effects.”

Never, ever douche!

Despite the many “vaginal potions and lotion,” on the market, says Iglesia, your best bet for a healthy and happy vagina is to stay far, far away from them.

“The biggest misperception is that you need to douche or clean inside the vagina,” says Cullins. “It is not necessary to douche, and in fact douching can disturb the normal bacteria that are in the vagina and are needed to keep the vagina healthy and prevent infection.”

It is important, though, to clean the external portions of the vagina with mild soap and water.

Bottom line? Your vagina is pretty damn awesome: It cleans itself through the magic of discharge, and uses that discharge to let you know when something might be off. If your vagina is your best friend, think of discharge as your BFF necklace—a physical reminder that it loves you, is awesome, and always has your back. (fusion.net)

Douche free zone